Drama

The glitterings of Gold, Jewels, Tapestries, &c. belie the Corruption of he who 'til recently occupied this high Seat. A white Carpet, once flanked by Sycophants & Counsellors, now lies untravelled. It leads away from the Seat & towards the Sunrise.

The cruel Baron lies at your feet, dyeing the carpet scarlet with his blood.

This game starts wehere others end: the hero having fulfilled his duty. Now it is time to explore the aftermath.

In this game you actually play two people - one is the real you, sitting in the dark in a movie theatre, and the other is the hero of the film that you are watching.

Your friend claims to be in a coma.

You're a little girl concerned about your ailing brother, and you're heading into town to buy a candle so that your family will have something to put on its solstice tree--but you stumble into a fantasy world. Thoroughly described and charming, though not necessarily to everyone's tastes--the sweetness quotient is high--and the writing is solid but sometimes gets a bit carried away. Several clever puzzles, but there's one rather unfortunate one in the latter stages of the game that most people have found frustrating.

The Djinni chronicles is a story, or rather a series of linked stories, about humans summoning djinni in order to gain their heart's desires -- beauty, happiness for a loved one, victory over one's enemies, that kind of thing. The player is not put in charge of the humans, but in charge of the djinni.

You were born; you lived; you died. Not everyone gets a second chance to go back and change crucial decisions. You have been granted one and must go back to critical moral dilemmas; but do you change the course of your life, or daren't you?

Fate initially appears to be a somewhat typical text adventure. As you play, though, more layers begin to appear as you decide just what you are willing to do to protect yourself, your unborn child, and your country. Your first couple of choices are quite morally unambiguous, but later choices are not so easy at all. Are you willing to sacrifice an innocent life to save a country? Does a man who committed a murder decades ago and sincerely repented still deserve to be punished for it? These are the sorts of questions you find yourself grappling with.

It is playgroup day and playgroup day is normally a good day but ever since that little red-haired girl started coming she always wants your toys.

She shouldn't get your toys.

You tried telling the mom this but she doesn't understand you. She mostly ignored you but then she just shoved a pacifier in your mouth and changed your diaper.

This single-room game is a good old-fashioned mystery story, in which you, as a groom in the service of a Victorian gentleman, hunt through your employer's study to discover the truth behind the death of your sweetheart.

You're an unhappy teenager in an unpleasant Irish boarding school, remembering your happier younger days and putting up with the present as best you can. It's not very interactive, but it's an noninteractivity that serves the purposes of the story--the central character doesn't have the courage to speak honestly with others, so he hardly speaks at all, and the frustration the player feels mirrors the PC's frustrations. There are no puzzles, and the game essentially progresses whatever you do, but as a story and a characterization, it works extremely well.